Aesthetically they all tend to share a colour palette of white, blue, and black. They don't feature the artist's face predominantly, instead focusing on art, and creating mystery towards the artist.
Showing posts with label preproduction. Show all posts
Showing posts with label preproduction. Show all posts
Thursday, 11 December 2014
Friday, 5 December 2014
prop-list
- a glass
- equipment to start a fire
- clock
- Books
- Black food dye
- Diffuser
- Equipment to make a stencil
- black spray paint
- coffee
- car window
- equipment to start a fire
- clock
- Books
- Black food dye
- Diffuser
- Equipment to make a stencil
- black spray paint
- coffee
- car window
Tuesday, 25 November 2014
Animatics - D
This is roughly what our music video would look like, we have incorporated the music with the story board. This may change due to the practicality of the filming process i.e. we may rearrange shots if we find that they don't work well.
Audience Research Questions - D
We'll go out to Shoreditch and Dalston in order to ask our target audience some questions, and we'll film this.
1.
What kind of music do you
listen to?
2.
What would you expect from a
James Blake video?
3.
How do you feel about black and
white music videos?
4.
Do you think that a clear
narrative is essential for a good music video?
5.
How often do you actually watch
a music video, not just tab out?
Wednesday, 19 November 2014
Wednesday, 12 November 2014
Tuesday, 11 November 2014
Character and costume - J
We put this outfit together for the character played by Dan. His outfit is a simple, smart/casual look and deliberately lacks colour to compliment the broody and sad character we are trying to create. The look is also inspired by the artist, James Blake. So there is an obvious visual connection between the song and the actor. There will not be any costume changes as he would be wearing the same outfit in the performance shots because they are supposed to show his actions throughout one day.
(Photo: James Blake from the promo of "Overgrown" album)
Monday, 10 November 2014
Location location location - D
Primary Locations
Performance scenes
The video will primarily be filmed in Lea Valley/Hackney Marshes. I feel as if both of them have large enough spaces of just about nothing so that we can get the extremely wide angle shots. The flatness of both parks is also good as it makes the sky look bigger, and will add to the effect had by the sky's colours in the shots, truly showcasing each period of the day. It also means that on the overcast days (on which we will film) the entirely black silhouette of the protagonist's costume will stand out and pop even more against the all-white/grey sky, and it gives us more flexibility in terms of which angle the shots can come from. There are also multiple forest paths and bridges nearby, meaning that we can potentially film more shots per day than if they were far apart, and it eliminates a lot of the issues with continuity. They're both lonely, distant, and largely empty places, which fits in well with our general motifs, considering the place looks like ever so slightly like Chernobyl.
Here are some inspiration images taken at the locations, in order to give you a visual clue as to what we're going for. The last isn't really the look we want per se, but it does prove my point about the sky.
Performance scenes
The video will primarily be filmed in Lea Valley/Hackney Marshes. I feel as if both of them have large enough spaces of just about nothing so that we can get the extremely wide angle shots. The flatness of both parks is also good as it makes the sky look bigger, and will add to the effect had by the sky's colours in the shots, truly showcasing each period of the day. It also means that on the overcast days (on which we will film) the entirely black silhouette of the protagonist's costume will stand out and pop even more against the all-white/grey sky, and it gives us more flexibility in terms of which angle the shots can come from. There are also multiple forest paths and bridges nearby, meaning that we can potentially film more shots per day than if they were far apart, and it eliminates a lot of the issues with continuity. They're both lonely, distant, and largely empty places, which fits in well with our general motifs, considering the place looks like ever so slightly like Chernobyl.
Here are some inspiration images taken at the locations, in order to give you a visual clue as to what we're going for. The last isn't really the look we want per se, but it does prove my point about the sky.
Montage shots
The majority of the montage shots that we're doing are close-ups and extreme close ups, mainly of situations and images more documentary-esque than what we're filming with the performance scenes. As part of this, some of the shots taken will likely be situational; if either of us have the camera we can take some of the shots when we come across them in real life. The cathedral scenes will be done in one with Gothic architecture, as the shapes and spikes found on/in those would be visually fitting to the theme we're trying to portray. Otherwise, we will use our school's studio in order to use their lighting equipment to add the professional quality, and playing with darkness/light that is often used in the works of James Blake and other sombre, experimental artists.
Thursday, 30 October 2014
Understanding Theoretical Approaches - J
Marxism
Focuses on the the understanding that societies consist of class struggle where there is a conflict between the bourgeoisie and the proletariat- an ownership class that controls production and a dispossessed labouring class that provides labour for production.
This can be understood as the nature of Capitalism where it produces internal tensions which would lead to its self destruction and is replaced by a new system, Socialism or Communism. Some Marxists stress the need of a revolution in order to break the oppression the proletarians' face.
Marxism has influenced other theorists who have expanded their critical thinking of sociological, economical and political issues.
Theorists such as:
Theodore Adorno and The Culture Industry: He stated that industrially produced culture "robs" people of their imagination and manipulates mass society into passivity. The culture industry delivers the "goods" so that the people then only have left over the task of consuming them.
Through mass production, everything becomes homogenised and what ever diversity remains is constituted of small trivialities. Everything becomes compressed through a process which mirrors physical reality as close as possible. Psychologically, people are then forced to believe that what they see is so real that the thought of manipulation would not be encountered.
If it has not been made apparent to how theory links into Marxism- it can be considered that the Culture Industry works as an ideological state apparatus that is controlled by the bourgeoisie and maintains the capitalist system through consumerism and and alienating the proletarians into not realising their oppression- thus they remain passive.
Antonio Gramsci and Hegemony: He used the term hegemony to denote the predominance of one social class over others (e.g. bourgeois hegemony). This represents not only political and economic control, but also the ability of the dominant class to project its own way of seeing the world so that those who are subordinated by it accept it as 'common sense' and 'natural'.
Hegemonies would use media as an ideological apparatus in order to enforce the hegemony by creating fear of deference from the established norm of imperial dominance.
The idea of of Ideological State apparatuses is also linked to the theorist Louis Althusser. He believed that it was necessary to conceive of how society makes the individual in its on image.
Noam Chomsky and Manufacturing Consent: He did an analysis of the news media, argued that the mass media "are effective and powerful ideological institutions that carry out a system-supportive propaganda function by reliance on market forces, internalized assumptions and self-censorship"
Feminism
Aims to define, achieve and defend equal political, economical, social and cultural rights for women. It also focuses on understanding the nature of gender inequality by examining women's social roles and lived experience; it has developed theories in a variety of disciplines in order to respond to issues such as the social construction of sex and gender.
A feminist theoretical approach is what we hope to involve in our music video in some form. In order to do so, we carried out further research into feminist film/media text theory and came across the concepts of the British feminist film theorist, Laura Mulvey.
The Male Gaze, Visual Pleasure and Narrative Cinema: She coined the term "male gaze" in 1975 and believes that in film and other visual media texts, inevitably put the spectator in a masculine (heterosexual) subject position with the female figure on screen as an object of desire. Features of the male gaze could be instances where the camera lingers on the curves and close up of the female body, and events that would occur to women are presented largely in the context of the mans reaction to these events. The nature of the male gaze enforces patriarchal values, as the theorist Jonathan Schroeder states "to gaze implies more than to look at- it signifies a psychological relationship of power, in which the gazer is superior to the object of the gaze"
Example of the male gaze in a music video
Lady Gaga - "Bad Romance"
The basic tenets of psychoanalysis include the following:
Focuses on the the understanding that societies consist of class struggle where there is a conflict between the bourgeoisie and the proletariat- an ownership class that controls production and a dispossessed labouring class that provides labour for production.
This can be understood as the nature of Capitalism where it produces internal tensions which would lead to its self destruction and is replaced by a new system, Socialism or Communism. Some Marxists stress the need of a revolution in order to break the oppression the proletarians' face.
Marxism has influenced other theorists who have expanded their critical thinking of sociological, economical and political issues.
Theorists such as:
Theodore Adorno and The Culture Industry: He stated that industrially produced culture "robs" people of their imagination and manipulates mass society into passivity. The culture industry delivers the "goods" so that the people then only have left over the task of consuming them.
Through mass production, everything becomes homogenised and what ever diversity remains is constituted of small trivialities. Everything becomes compressed through a process which mirrors physical reality as close as possible. Psychologically, people are then forced to believe that what they see is so real that the thought of manipulation would not be encountered.
If it has not been made apparent to how theory links into Marxism- it can be considered that the Culture Industry works as an ideological state apparatus that is controlled by the bourgeoisie and maintains the capitalist system through consumerism and and alienating the proletarians into not realising their oppression- thus they remain passive.
Antonio Gramsci and Hegemony: He used the term hegemony to denote the predominance of one social class over others (e.g. bourgeois hegemony). This represents not only political and economic control, but also the ability of the dominant class to project its own way of seeing the world so that those who are subordinated by it accept it as 'common sense' and 'natural'.
Hegemonies would use media as an ideological apparatus in order to enforce the hegemony by creating fear of deference from the established norm of imperial dominance.
The idea of of Ideological State apparatuses is also linked to the theorist Louis Althusser. He believed that it was necessary to conceive of how society makes the individual in its on image.
Noam Chomsky and Manufacturing Consent: He did an analysis of the news media, argued that the mass media "are effective and powerful ideological institutions that carry out a system-supportive propaganda function by reliance on market forces, internalized assumptions and self-censorship"
Feminism
Aims to define, achieve and defend equal political, economical, social and cultural rights for women. It also focuses on understanding the nature of gender inequality by examining women's social roles and lived experience; it has developed theories in a variety of disciplines in order to respond to issues such as the social construction of sex and gender.
A feminist theoretical approach is what we hope to involve in our music video in some form. In order to do so, we carried out further research into feminist film/media text theory and came across the concepts of the British feminist film theorist, Laura Mulvey.
The Male Gaze, Visual Pleasure and Narrative Cinema: She coined the term "male gaze" in 1975 and believes that in film and other visual media texts, inevitably put the spectator in a masculine (heterosexual) subject position with the female figure on screen as an object of desire. Features of the male gaze could be instances where the camera lingers on the curves and close up of the female body, and events that would occur to women are presented largely in the context of the mans reaction to these events. The nature of the male gaze enforces patriarchal values, as the theorist Jonathan Schroeder states "to gaze implies more than to look at- it signifies a psychological relationship of power, in which the gazer is superior to the object of the gaze"
Example of the male gaze in a music video
Lady Gaga - "Bad Romance"
Psychoanalytic theory
Founded by Sigmund Freud who believed that people could be cured by making conscious their unconscious thoughts and motivations, thus gaining insight. The aim of psychoanalysis therapy is to release repressed emotions and experiences and is commonly used to treat depression and anxiety disorders.
The basic tenets of psychoanalysis include the following:
- besides the inherited constitution of personality, a person's development is determined by events in early childhood;
- human attitude, mannerism, experience, and thought is largely influenced by irrational drives; irrational drives are unconscious;
- attempts to bring these drives into awareness meet psychological resistance in the form of defense mechanisms;
- conflicts between conscious and unconscious, or repressed, material can materialise in the form of mental or emotional disturbances, for example: neurosis, neurotic traits, anxiety, depression etc.;
- the liberation from the effects of the unconscious material is achieved through bringing this material into the conscious mind
Friday, 24 October 2014
Third inspiration video -D
Rejjie Snow - "Lost in Empathy"
The video shows a good connection between the performer, Rejjie Snow, and his surroundings which is an aspect we would like to achieve in our music video. This is simply because the locations (forrest-like areas , open field and parks) help to achieve the soulful feel the song of our choice provides.
Similar to the second video of inspiration, this also holds the the feeling and portrays bleak cold loneliness that is established well in relation to the rapper.
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